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- Jezzalie Gill (Drawing 1)
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Metalsmithing and jewelry majors take a number of studio classes that allow them to explore the breadth of metal techniques such as casting, enameling, raising and forging.
A portfolio is not required for admission to these programs, although if you are a transfer student you may need to submit one for placement. At the end of your sophomore year, the studio faculty members in your area will review your portfolio to determine if you can continue in the program. You also must submit your work in a senior exit review.
Professors Harlan Butt, Ana Lopez, and James Thurman are internationally exhibited metalsmiths. From their collective expertise, a comprehensive range of resources is available to the students of the Metalsmithing & Jewelry program. Regents Professor Harlan Butt has had a distinguished career that spans the use of most of the media and techniques practiced in contemporary studio metalsmithing. Best known for his poetic enamelwork with cloisonné on vessels, Harlan has pieces in such notable collections as: The National Gallery of Australia, The Museum of Art & Design in New York, and The Mint Museum of Art & Craft, among others.
Ana Lopez's sculptural metalwork is informed by her additional studies of the History of American Decorative Arts at The Smithsonian Associates in Washington, DC. Through the sharing of her combined experiences with the practice, histories and theories relating to metalsmithing, students may gain additional insight and perspective on their own practice.
James Thurman has a diverse background with degrees in sculpture and metalsmithing along with certification as a machinist. His studio practice builds upon this background through a varied use of materials and processes, including metal, wood, plastics/synthetics, and found objects, to create a range of sculptural domestic objects, from jewelry to furniture.
The Master of Fine Arts degree in Metalsmithing & Jewelry is a terminal degree, requiring a minimum of 60 credit-hours of graduate level coursework. A minimum of 24 credit hours must be in the graduate metalsmithing & jewelry class.
Program Coordinator | Phone: 940-369-7207 | Email: butt@unt.edu
Harlan W. Butt is a Regents Professor of Art at the University of North Texas where he has taught since 1976. He is past President of the Enamelist Society and a Fellow of the American Crafts Council. His work has been exhibited in Australia, Canada, England, Germany, India, Japan, Korea, Russia and throughout the United States. He has spent time studying in Japan, including a year working in the studio of master metalsmith Shumei Tanaka and at the Biso Cloisonne Company, both in Kyoto. Harlan's work is represented in the permanent collections of the Boston Museum of Fine Arts, the Renwick Gallery of the Smithsonian Institute, the Museum of Art & Design in New York City , the Mint Museum of Art & Craft in Charlotte, NC, the National Ornamental Metal Museum in Memphis, the National Gallery of Australia, the University of North Texas and the City of Denton. Harlan lives with his wife Robin and two children, Harlan (Falkner) and Jaclyn, in Denton and he also maintains a studio in the San Juan Mountains of Colorado, where he spends the summer months.
Email: lopez@unt.edu | www.anamlopez.com
Ana M. Lopez joined the UNT metalsmithing program as an assistant professor in the fall 2005. Her metal work is primarily sculptural, hammer-formed hybrids with organic and industrial references. Born in New York City in 1974, Ana has also lived in Georgia, Indiana, Ohio, Tennessee, Michigan, Colorado, Virginia and the District of Columbia. She is enjoying life in Texas with her husband, Keith K. Annis, and cats Cleo and Spider.
Email: james.thurman@unt.edu
Phone: 940-369-7671 | Email: studio@unt.edu
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