(page 8)

Instruction

Display the overhead “Tiles from the Alhambra.” Explain that these images are based on sketches made by M.C. Escher during his visits to the Alhambra Palace (Escher on Escher, 26). Demonstrate each type of transformation to the class using geometric shapes and the overhead, “Transformations.” Ask students how each type of transformation earns its name. (In rotation, the triangle rotates around a center point.)

Allow students to re-examine “Tiles from the Alhambra” and explain which images are examples of rotation, translation, or reflection. Show examples of tessellations from the Internet. Ask students to explain which images demonstrate translation, rotation, and reflection.

These sites can provide a starting place for the activity:
Hop’s Escher Tiles: http://www.tabletoptelephone.com/~hopspage/HopsTiles.html
M.C. Escher’s Symmetry Drawings:
http://www.mcescher.com/Gallery/gallery-symmetry.html
Grotesque Geometry: Andrew Crompton:Z
http://www.cromp.com/tess/home.html

Demonstrate to the class how the shapes in each example glide, rotate, and flip over to create each type of transformation. Have students find their own examples of tessellations. Images can be art found on the Internet, artworks from presentations in Lesson One, or objects in the environment (floor tiles, wallpaper, etc.). Students should be able to explain why the image or design is a tessellation, and describe what type of transformation is exemplified.

Go over vocabulary using the overhead to illustrate various triangles, quadrilaterals, and the concept of congruence. Assist students in creating cutouts of triangle and quadrilateral shapes using the student handouts, “Triangles” and “Quadrilaterals.” Use the transparency, “Transformations” as an example when explaining the different types of transformations used in a tessellation.

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THE ORIGIN OF
PATTERNS BEFORE TIME

The concepts for the unit featured in this issue were adapted from a lesson developed by Nancy Walkup, entitled, Order in the Universe: Geometry, Symmetry, and Congruency in Art, Math, and Science.Adaptation and added material by Lisa Galaviz and Dr. Jaqueline Chanda.

After students have cut their shapes from the tag board, they should experiment with each shape to see if it will fit together with no gaps or overlaps: select a shape, trace it once, then slide the guide into the new position to trace it again. If the figure must be flipped over to fit, the transformation is a reflection (flip). The pattern will be an example of reflectional symmetry. If the figure will fit without flipping it over, the transformation is a translation (slide). The pattern will be an example of translational symmetry. Students can record their results using the “Tessellation Chart” located at the end of this unit.

Next, the class will use the shapes already cut from previous exercises to explore rotational symmetry. Students can practice rotational symmetry by drawing a dot for the center of rotation with a sharp pencil. After choosing one corner of each shape to align with the center of rotation, the student will then trace the shape while rotating it around the dot. If the shape meets itself with no gaps or overlaps, the shape will demonstrate rotational symmetry. Students should use one shape at a time and record their results using the “Tessellation Chart.”

 

 

 

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